Memory Dump (clip without sound), GIF, Digital Animation, 2025
SAM VAN VO
Visual Artist
Sam Van Vo (BA - Studio Art, Summa Cum Laude, Metropolitan State University, St. Paul, MN) is a Laotian and Vietnamese American artist based in Minneapolis. Originally an illustrator and graphic designer, he now works in new media, sculpture, and video. His work has been shown in exhibitions including PEACE TALKS in Dayton, OH, which coincided with NATO’s 30-year commemoration of the Dayton Peace Accords, UCR Gallery in Rochester, MN, and the Soo Visual Arts Center (SooVAC) in Minneapolis. A lifelong advocate for Asian American issues and a proponent of intersectional approaches to social and racial equity, his practice explores cultural identity, memory, erasure, control, and narrative as a means to expand upon the human experience, through a lens of both racial futurism and cynicism. Currently, Vo continues his multi-disciplinary studio practice with an emphasis on 3-dimensional work and plans to continue pursuing his MFA degree. He works out of his home studio in Minneapolis, MN.
Recent Work
Dead Culture in Liminal Spaces explores personal identity tied with the concept of genetic memory and dreams. Through these foundational concepts, I investigate the complexity of an Asian American identity in the present and future with consideration of the challenges of being a racial minority. In practice, my work reinterprets historical and cultural symbols intrinsically tied to my cross-cultural experience as a Laotian and Vietnamese American. By using non-traditional media such as 3D modeling, video, and animation, I actively distance these influences from their historical or cultural contexts and reimagine them as both existent and non-existent as part of my cultural self. While I feel tied to the rich cultural heritage that I pull influence from, I often ask how sincere my own sense of identity, peace, and anxieties are tied to them as time moves ever onward. Through this work, I explore the questions of “what is left, what is it now, and what can it (or I) become?” As time erodes these forms or “memories” of my own cultural self, I investigate a bleak past, an uncertain future, and the universal search for self-identity and belonging.
Apsara I (top view), Sculpture, Plastic and Resin, 17” x 25” x 36”, 2024.
Virus, GIF with Sound, Digital Animation, 2025.
Degrees of Acceptance/What Rhymes with Disease? GIF with Sound, Digital Animation, 2025.
Apsara II, GIF with Sound, Digital Animation, 2025.
Other Work
The “I Regret my Vote” Chair (rendering), Sculpture, Plastic and Aluminum, 31” x 15” x 20”, 2025.
Untitled (Skin Graft #1), Wearable Mask, Multimedia, 12” x 8” x 8”, 2024.
Artifact I, Film, Silver gelatin print, 12" x 12", 2018.